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Frank Oz

Voice acting has become a huge faction of acting nowadays. Between video games, cartoons, podcasts, movies, and more, we have relied on actors to provide no more than their vocal prowess to convey a character or role. Vocal Booth To Go wants to celebrate 20 talented voice actors from different mediums in hopes to show the importance of voice acting in today’s society. If you want to learn more about the beginnings of voice acting, please read our history of voice acting here.

Our first voice actor is someone who has done notable roles from our childhood that are still big today. From a wise teacher of a space rebel fighter to a furry blue cookie fanatic to a sassy piglet fashionista, he has forever imprinted on our hearts and memories. This wonderful voice actor is none other than Frank Oz.

Frank Oz, full name Frank Oznowicz, was born May 25, 1944 in Hereford England. He moved to Oakland California with his parents and brother when he was six. Frank was considered a shy child, and since both of parents were amateur puppeteers, Frank found puppets were an easy way to express himself. During his adolescent years, he even worked as an apprentice puppeteer at Children’s Fairyland, a storybook theme park in Oakland. While Oz was still in high school, he had a chance meeting with 23-year-old Jim Henson at a puppeteering conference. “He was this quiet, shy guy who did these absolutely amazing puppets that were totally brand new and fresh, that I had never been seen before,” Oz later recalled about Henson. At age 19, Henson asked the young puppeteer to join his Muppets team.

He first started as playing Rowlf the Dog in a variety of appearances. In fact, on one guest appearance on The Jimmy Dean Show, Jimmy Dean introduced him as “Frank Oz…,” mumbling the last part of his name. This is how Frank stuck with abbreviating his last name. When the Muppet Show started, he went on to play a variety of Muppet characters such as Miss Piggy, Sam Eagle, Animal, Fozzie Bear, and The Swedish Chef.

 

 

On Sesame Street, Frank Oz originated the characters of Bert, Grover, and Cookie Monster, and performed them exclusively for nearly 30 years.(1) He was also offered the role of Big Bird, but Oz declined due to his discomfort and hatred of playing in full body puppets.

 

 

 

In 1980, George Lucas contacted Henson about a puppet character he wanted for his next Star Wars film, The Empire Strikes Back, a creature known as Yoda.(1) Since Henson was pre-occupied, Oz was assigned as chief puppeteer and as creative consultant, while other Henson alumni worked on the fabrication. Oz had a great deal of creative input on the character. Oz also made the key choice himself for creating the character’s trademark style of reversed grammar. Originally, Frank Oz was only supposed to provide the puppetry, with somebody else providing the voice, but at the last minute, Lucas decided to use Oz’s voice. Oz would go on to perform Yoda in all of the sequels and prequels (the latter of which used a CGI version of Yoda), and returned as Yoda in an episode of Star Wars: Rebels.

 

Even though Frank Oz’s passion was puppeteering, it was his voice acting that truly brought the characters to life. In a 2000 interview, Oz said,

“I’ve made a policy over the last 15 years of not having any pictures with my characters and I, at all, in the same shot. That is because, as a director, I can walk on a film for 18 hours a day for a year — work my ass off — and people will see it and say “Ah, yeah, that’s nice. That was a good film”, Then they see one picture of me and one of my characters, and they go ape****. They’ll freak out and say, “You do that character!” The power of the Muppets, and the popularity of these characters is so iconic in people’s lives, that I’ve had to distance myself from it publicly.” (1)

Even Frank Oz knew that it was the voice of the characters that was important, and that showing his face with that character would mean losing the magic and heart of that character. I would interpret that his advice would be that recognition is only second to the enjoyment of the character you play.

This is why Frank Oz will always be one of the most iconic and talented voice actors in film, and puppeteering, history.

 

Here is an old interview with Frank Oz back from 1976.

(1) – “Frank Oz.” Muppet Wiki. Wikipedia, n.d. Web. 1 June 2017.
(2) – Setoodeh, Ramin. “Frank Oz on the Legacy of Jim Henson’s Muppets.” Variety. N.p., 12 Mar. 2017. Web. 26 June 2017.

 

Sean Sorrentino

Sean Sorrentino won’t ever again have to sit on a borrowed hotel luggage rack converted to a comforter-covered tent to get a good audio recording. Today, Sean, a podcaster, uses the Carry-On Vocal Booth Pro when he travels for his day job and needs to record on the road. Like many podcasters, Sean creates podcasts as a hobby. But a serious one. He and his friend, Adam, are the show hosts and five friends contribute to it. They have podcasted weekly for more than 85 weeks on topics that appeal to people who are interested in firearms.

Before he bought the Carry-On Vocal Booth Pro, and when he was not on the road, Sean recorded in a 10 x 11-foot office he shared with his wife, who was often relegated to sit on the sofa to work on her computer. He was fortunate, he says, because there are lots of books lining the office walls, so there was “accidental” decent audio quality.  

None of the podcast team live near one another, yet they all submit audio to Sean, who edits it and puts it together for the show. They all provide him with varying audio quality. After all, as hobbyists, they’re not often inclined to make large investments on expensive professional equipment. In addition, some contributors were “recording in places that were just not conducive to good audio quality,” he says.

Erin, for instance, records a segment on blue collar prepping, seeking the most cost-effective way to perform essential tasks.  She’s also the current worst offender in the bad audio sweepstakes, Sean says with a hint of sarcasm. When she recorded her portions of the podcast, her house, filled with two dogs and two parents who like to watch television with the volume turned up, didn’t cut it. So she went to the office of a nearby church to record. Here, she would “build a little fort out of blankets” —clearly a widespread jerry-rig solution in the industry—to help improve the audio quality. But even with that invention, there was a terrible echo. Sean was trying to figure out how to get Erin out from under the blankets and get good audio from her, too. It was clear they didn’t have $5,000 for an audio booth. And since all the seven people on the podcast live far from one another, they wouldn’t be recording in a central location, anyway, so they’d need multiple expensive pieces of equipment to do it properly.

Sean, who’s buying a new house, stumbled upon VocalBoothToGo when searching for solutions for his new house that would allow him to soundproof the walls without having to use the space for books. He looked at several products, including the tracking booth. He sent a link to Erin and she posted it on Facebook, noting it would be a great gift for her upcoming birthday. A week later, her fans and friends had raised the money for the Pro model, which comes with the microphone stand and another stand that allows her to put her computer tablet with show notes nearby (the podcast is heavily scripted). Once Erin received the Pro, she watched a video on how it works. They’re still tinkering with where she should stand to get the best audio without getting bounce off the back wall or too much noise from the room in which she’s set up.

Once she shared the audio she’d recorded in the Pro, people said they hadn’t noticed the echo she’d had until it was gone.  Sean, however, had noticed it. He listens to every piece of audio at least four times. With the Pro, Sean jokes, it didn’t sound like Erin was recording in a cave in Tora Bora.

When Sean witnessed the audio improvements Erin experienced with the Pro, he brought himself one immediately.

Sean believes the Pro’s portability make it very useful for podcasters who travel, especially at large events where podcasters may be competing for quiet in a large media room, like he, Adam and Erin had to do while sharing a single microphone at a large show last year. He believes in it so much, in fact, the show focused its Plug of the Week on the Carry-On Vocal Booth Pro (http://vocalboothtogo.com/product/carry-on-vocal-booth-pro-6/) and Erin offered a review and a thank you to those who helped her acquire the Pro (http://lurkingrhythmically.blogspot.com/2016/03/vocal-booth-pro-to-go-thank-you-and.html).

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